“In the middle of the world, make one positive step. In the center of chaos, make one definitive act. Just write. Say yes, stay alive, be awake. Just write. Just write. Just write.”
Natalie Goldberg, Writing Down the Bones
“In the middle of the world, make one positive step. In the center of chaos, make one definitive act. Just write. Say yes, stay alive, be awake. Just write. Just write. Just write.”
Natalie Goldberg, Writing Down the Bones
Sometimes there is nothing better in the world than getting your hair wet. Especially when that prudish part of you has taken great care to make sure it stays out of the bath water. And you just dunk your head under anyway — ignoring the prim voice of reason that’s worried about how it will look tomorrow and didn’t you just wash it yesterday? and on and on.
I have a lot of fun listening to that voice shut right up when I plug my nose and go under.
(photo by pequeña esquimal)
I want this cookbook by Thomas Keller and then I want him to come to my house, too.
My favorite bit from the Esquire piece is where he apologizes for cleaning up all the time. I do the same thing when I’m cooking — isn’t it so much nicer to have few dishes to worry about after dinner? I think so!
“When we eat together, when we set out to do so deliberately, life is better, no matter what your circumstances.”
*Swoon*
(via Chris Eats)
Automatic Atwood reblog.
(via theopie)
Tumblrs, I need your advice.
Here are some factors to consider:
+I live within walking distance of my workplace and can work from home when needed
+I live next to a grocery store, bar, Chipotle and coffee shop
+I’m about a mile away from a LRT station and there are good buses ‘round here
+Two to three times a month I have to haul photo and video equipment, sometimes including a 50lb light kit
+Hourcar has a pickup spot at the nearby lightrail station ($5 per month plus $8 per hour)
+I spend about $150 to $200 on gas each month. I pay $700 in car insurance each year. Repairs have cost me $1000 so far this year (I drive a ‘94 Honda)
+I do laundry at my parents’ place and visit them almost weekly. They live in Bloomington (the question here is whether I can cowboy up enough to bring my laundry on the bus to B-town)
+I have a good bike.
The convenience factor is a pretty big deal, but I am a planner by nature, so sorting through bus schedules and figuring things out is no problem. It will take longer to get places, and I am slightly afraid of becoming a hermit, but not having to deal with parking might actually encourage me to go out MORE. Or have people over more!
Video/photo shoots and major grocery or Target trips would be the only time I’d need a car, and Hourcar or a generous friend would probably have me covered.
That said, I don’t want to be an annoying mooch of rides and drive my friends insane.
What do you think, MSP?
More book reports. I’m on a reading kick, and I want to make some notes about what I’m learning.
On Writing by Stephen King
This dude knows how to tell a story, and that is what he holds most sacred in his writing (story, story, story). Reading this made me want to relive my childhood practice of falling asleep to music and while making up worlds in my head. The parts of the book when he’s telling his story are the best — the writing “how tos” (which aren’t really how-tos, more like suggestions and guides) are fine but not revolutionary. I also found myself getting frustrated with the book editor because of numerous which/that confusions and subject/object pronoun mistakes (a la “Johnny and me went to the store”).
But no matter, I enjoyed it a lot. I’m taking away from it a renewed importance of letting your story develop organically when it can, letting your writing rest for a while and giving yourself permission to write the worst shit in the world (Anne Lamott says it best, though).
Writing Down the Bones by Natalie Goldberg
I’m still working my way through this and I love it so far. I think my adviser assigned it in college but I was so oversaturated with poetical prose that I skipped it (there’s only so much Mary Oliver a girl can take in one semester). Coming to the book now, it feels like I’m reading a Pema Chödrön–Anne Lamott hybrid. Goldberg draws from her Zen meditation practice and her Jewish faith, which means that I loved her almost immediately.
The idea of practice is the heart of this book, from what I can tell so far, and that hits very close to home. By making it a practice, and not expecting yourself to write something good (or great or even all right) every time you sit down with pen in hand, you are free to explore and play. The other thing that both Goldberg and King emphasize is honesty — not necessarily “writing what you know” but writing your first thought (not the second and third thoughts that are ripe with self-editing and criticism) and writing what is true to you in that moment.
Oh! That’s the other great thing I just read in this book. Let go of the feeling that what you are writing is a reflection of who you are. Sure, other people might see it that way, but it is only a reflection of where you were in that specific moment. You can leave it behind and come to the page a different person the next time.*
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*I fear this constantly when I write in my journal. I’m always wondering, “Geez, what are people going to think about me if they read this after I die?” This is stupid and morbid, I realize, but our journals tend to memorialize the less savory parts of our lives — i.e., the times we need to work some stuff out on paper. If that’s all our families are left with, boy they will think we were cranky potatoes. Of course I’m not giving my family enough credit here. They’ll also have all the memories and experiences and conversations, not just my ornery journaling, to judge me by. And why do I assume they’ll be judging, anyway?!
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It took me ages to finish this novel tome. I was making good time until I got to the middle section, wherein the meticulous recounting of the brutal murders of hundreds of women slowed my progress. Go figure. But I trudged through and I was not disappointed. This is a rich, complicated story — it’s like you’re eating a steak, and then you’re with the cow that made the steak, and then learning about the sordid history of the grass that fed the cow, and then off to get to know the microbes that nurture the soil that grows the grass. And as a footnote, here is a brief history of the tartar sauce.
The Brief and Wondrous Life of Oscar Wao
A fast, easy read despite being cripplingly depressing at times (the way generational fiction tends to be). The family stories were beguiling and the characters have stayed with me, which is always a good sign. It wasn’t life changing, but a clever and engaging novel.
The Night of the Gun
The local connection is fun, as is learning more about the Minneapolis (journalism) community during the 80s. It’s smart, quippy and Carr manages to come across as both arrogant and self-effacing. He uses the word “acuity” a lot, and I was kind of left wishing that he’d told more stories instead of all that blathering about the ephemeral and fecund nature of memory (we get it). Even with the slogs through memory philosophizing, I really enjoyed reading it.
Guys! The last Give & Take of the season is happening tonight — and I’m presenting! Wouldn’t it be awesome if I had the same nervous tic as this kid? There’s only one way you’ll find out: http://bit.ly/3b2G3C
(via my flickr)
Goodnight Moon (via my flickr)
There were some gorgeous colors out there tonight. I’m so glad we’ve gotten these few days of fall.